If whatever marks the picture, it's a deep ambivalence. Denounced as superficial, illusory, and groundless, pictures are even as attributed with exorbitant strength and assigned a privileged relation to fact. Mistrusted by means of philosophy, forbidden and embraced through religions, manipulated as “spectacle” and proliferated within the media, photos by no means stop to offer their a number of facets, their paradoxes, their flat yet receding spaces.
What is that this energy that lies within the depths and recesses of an image—which is often basically an impenetrable floor? What secrets and techniques are hid within the flooring or within the figures of an image—which by no means does whatever yet exhibit simply precisely what it's and not anything else? How does the immanence of pictures open onto their incredible others, their imageless origin?
In this choice of writings on photos and visible paintings, Jean-Luc Nancy explores such questions via a rare variety of references. From Renaissance portray and panorama to images and video, from just like Roman dying mask to the language of silent movie, from Cleopatra to Kant and Heidegger, Nancy pursues a mirrored image on visuality that is going a long way past the numerous disciplines with which it intersects. He deals insights into the non secular, cultural, political, artwork historic, and philosophical elements of the visible relation, treating such vexed difficulties because the connection among photograph and violence, the sacred prestige of pictures, and, in a profound and significant essay, the forbidden illustration of the Shoah. within the heritage of some of these investigations lies a preoccupation with finitude, the unsettling forces envisaged by way of the photographs that confront us, the bounds that bind us to them, the loss of life that stares again at us from their frozen characteristics and far-off intimacies.
In those vivid and complicated essays, a principal determine in eu philosophy maintains to paintings via the most very important questions of our time.